Tesselations
and Platonic Solids Assignment
During
the next two weeks we will be learning about Escher-like tesselations
and how to apply them to 3D Platonic solids.
Part
1: Tessalation using rotation, translation and
- Complete
the Worksheets handed out in class: Tesselations by translation,
rotation and reflection.
- Research:
As is a part of any design project, this one begins with
research. To better understand Tesselations, Crystallography,
Escher and Platonic solids you will need to research the
subjects. Use the school's library, public libraries and
the internet. To help you get started, see a link
the instructor's website: www.stevepasos.com. The type of
questions you might ask your self during your research are:
- What
is isometry?
- What
is meant by "motifs of diminishing size"?
- Escher
pursued themes of transformation in works he called "Image
Stories" which involved images transforming from
one state into another. How could you create a tranforming
tesselation?
-
Who is G. Polya and what significance does his 17 different
playne symmetry groups have?
-
Who is Koloman Moser?
-
What is meant by glide-reflection symmetry?
- What
is a Kaleidocycle?
- Process documents: Document your process and progress,
showing sketches of various different attempt at tessellated
shapes. Create 3 roughs. Use color pencil or markers to
test out various different color schemes. This is due during
week 10.
- Create
an Escher-like tesselation design based on one of your rough
on 10x10 bristol with a 12x12 mat. Color your design. Be
very precise with you measurements and make sure everything
is square, borders are even. This design should be "portfolio-worthy".
Part2:
3D Tessalation
- Due
week 10: Construct and assemble one of each of the 5 platonic
solids. See http://www.korthalsaltes.com/
for templates.
- Create
an Escher-like tesselations mapped onto the 2 Platonic solids
or 1 Platonic solid and a kaleidocycle. See http://ccins.camosun.bc.ca/~jbritton/jbpolydodeca.htm
and http://www.cs.berkeley.edu/~j-yen/cs285/as1.html
for examples
- Create
a zerox copy (or tracing paper copy) of your 2 design and
leave uncut and unfolder. These copies will not be returned.
Esher
was once asked:
Q.
...Your pictures do not involve only simple shapes-- you tessellate
things like lizards and birds, how do you achieve that?

A.
Interesting you should ask--I developed a technique for that
myself. To begin with you take a shape that on its own will
tessellate. Proceed by cutting out pieces of the
shape and putting them around the outside in a
specific way. The easiest is in a square or rectangle where
you can put the piece on the same place on the other side
of the shape, but, for shapes that involve rotations to tessellate,
it is much more complex. In a hexagon for example you must
place the piece removed on the opposite part of an adjacent
side. If you cut a piece out of the side that
you just put a piece on, you must move that piece
to the side that the other piece came from. The artistic part
in this is to make that pieces you cut out and
put on look like something. Below is an example
(actually drawn by Escher!!) of how a complex tesselation
starting from a hexagon might come out.
see:
http://www.3villagecsd.k12.ny.us/wmhs/Departments/Math/OBrien/escher.html
for complete interview and Escher's own diagram demonstrating
the technique.
Due
dates:
- Week
10: Thursday, Dec 12:
- Research
Report: minimum 1 page plus one traced image
- Tessaltion
Worksheet handouts
- Thumbnails
and roughs for Tessaltion project
- Construct
and assemble all five platonic solids
- Week
11: Thursday, Dec 19:
- Tessaltion
Worksheet handouts
- Thumbnails
and roughs for Tessaltion project
- Construct
and assemble all five platonic solids
References:
- M.C.
Escher et al, M.C. Escher: His Life and Complete Graphic
Work, New York: Abrams, Inc., 1992.
- Jinny
Beyer, Designing Tessellations: The Secrets of Interlocking
Patterns, Chicago, IL: Contemporary Books, 1999.
- "Tilings
and Patterns", by Branko Grunbaum and G.C. Shephard
(W.H. Freeman, 1987). This is a most complete treatment
of the topic I know of, with formal mathematical language,
but also with lots of pictures. If you want all of the chapters,
including those on non-periodic tilings, get the hardback
version.
- "Introduction
to Tessellations", by Dale Seymour and Jill Britton
(Dale Seymour Publications, 1989). This is written for teachers,
and as the title suggests, is an introduction to the topic.
- "Islamic
Art in Context", by Robert Irwin (Harry N. Abrahms,
1997). Covers the history, religious and secular architecture,
literature, and more of art, in which a highly-developed
geometry plays a central role.
- "M.C.
Escher, His Life and Complete Graphic Work", by F.H.
Bool, J.R. Kist, J.L. Locher, and F. Wierda (Harry N. Abrams,
1982). A very complete source on the life and work of Escher.
- "Visions
of Symmetry", by Doris Schattschneider (W.H. Freeman,
1990). A wonderful book, which reproduces Escher's notebooks
in which he works out tessellation systems.
- "The
Magic of M.C. Escher", by Eric The, Joost Elffers,
and Andreas Landshoff (Harry N. Abrahms, 2000). A new book
which interweaves well-known prints with numerous unpublished
drawings, the artist's eloquent words, and observations
by Escher expert J.L. Locher. A dramatic and rather cinematic
presentation of Escher's art, with a number of large gate
folds.
- "Escher
on Escher - Exploring the Infinite", by M.C. Escher
(Harry N. Abrahms, 1989). The artist speaking in his own
words about his art, with 120 accompanying illustrations.
Includes the complete text of a series of lectures Escher
was scheduled to give in the United States, but which were
cancelled due to illness.
- "Dissections:
Plane & Fancy", by Greg Frederickson (Cambridge
University Press, 1997). The best book I know of on geometric
dissections - makes for very entertaining reading for math
lovers.
- "Polyominoes:
Puzzles, Patterns, Problems and Packing", by Solomon
W. Golomb (Princeton Science Library, 1996). The definitive
treatment of the topic, originally published many years
ago.
- "M.C.
Escher Kaleidocycles", by Doris Schattscneider and
Wallace Walker (Pomegranate, 1987). A fascinating and fun
book in which Escher's tessellations are adapted to innovative
three-dimensional paper models.